http://www.firstamendmentcenter.org/news.aspx?id=11497
'Our Lady' controversy still chills Santa Fe museums
By The Associated Press
05.20.03
SANTA FE, N.M. It has been more than two years since a Roman Catholic
outcry over Los Angeles artist Alma Lopez's digital collage of the Virgin
of Guadalupe clad in flower petals with a bare midriff.
The chilling effect is still felt in Santa Fe, where officials at state-run
museums say pressures not to offend viewers have been acute since the "Our
Lady" controversy.
"It's not whispered it's intense," said Marsha Bol, director
of the Museum of Fine Arts.
Lopez's "Our Lady," a computer-generated collage of a model wearing
a floral garment resembling a bikini, was part of a Cyber Arte exhibit at
the Museum of International Folk Art.
Roman Catholics were offended by the bared midriff on so sacred an icon and
asked a judge to order it removed from the wall of the museum. The exhibit
was open from February through October 2001. It closed four months early to
appease protesters, museum officials have said.
"There was the sense that there might be internal censorship that descends
on curators and others," said Tom Wilson, former head of the Museum of
New Mexico. "I think it has happened."
In this climate, curators might exclude works if expressions were "too
hot to handle or more cutting-edge," he said.
Curators avoided placing work by potentially controversial artists in the
upcoming exhibit "So Que," a showcase of work by living New Mexican
artists residing south of Interstate 40. The exhibit is scheduled to open
at the Museum of Fine Arts in January.
Even in the midst of the Our Lady controversy, museum officials were concerned
about a possible future chilling effect, Wilson said. He recalled the threatening
phone calls and hate mail sent to Tey Nunn, curator of the exhibit that included
Lopez's "Our Lady."
"Who would want to go through that?" Wilson asked.
Asked if curators have been practicing self-censorship since "Our Lady,"
Bol acknowledged, "it's a fight."
"My intention is to try to fight against this as an undue influence,"
Bol said.
During a recent interview in Santa Fe, when So Que curator Betty Gold was
asked whether viewers could expect to see any "edgy" work in the
show, she responded: "I just want to have a nice show and not cause problems
for the museum."
After "Our Lady," the Museum of New Mexico revised its policies
for handling sensitive materials, allowing more opportunity for public input
without setting new standards for selecting objects for an exhibit.
The Sensitive Materials Committee, originally created to deal with issues
arising out of the Native American Graves Protection and Repatriation Act,
still has responsibility for potentially controversial artwork. But now the
committee meets quarterly, and any staff member can bring an issue before
the committee at any time, from the planning stage of an exhibit to its opening.
Related
N.M. museum to keep bikini-clad Virgin on exhibit
Roman Catholic parish vows to fight committees decision to retain controversial
artwork. 05.23.01
Public funding of controversial art
By Kyonzte Hughes
Contributing writer
Artists frequently test societys standards of decency with works that
outrage people. Society, or parts of it, may respond with harsh criticism
and scorn. Artists are free to outrage people, and people are free to be outraged,
but First Amendment issues may arise when art is publicly funded. Must the
public, through the taxes it pays, subsidize art that offends people?In a
1998 case that initially seemed a heavy blow to the First Amendment as a bulwark
protecting free artistic expression, the U.S. Supreme Court upheld a decency
standard enacted by Congress. In National Endowment for the Arts (NEA) v.
Finley, the Court held that the NEA may consider public standards of decency
in deciding which artists should receive federal grants.
However, Justice Sandra Day OConnor, writing for the majority, took
the sting out of the law. She explained that the decency standard was merely
advisory and simply added one more consideration to a variety of pre-existing
subjective criteria.
Though some might argue that the decency standard infringes upon free speech
because it allows the NEA to favor certain viewpoints over others, the consensus
is that the law poses no real threat given that the high court has characterized
it as a mere piece of advice rather than a law that must be enforced.
In 1999, the city-funded Brooklyn Museum of Art came under fire when it exhibited
a painting by Chris Ofili of the Virgin Mary that featured sexually explicit
cutouts covered with elephant dung. The Catholic Church was outraged. New
York City Mayor Rudolph Giuliani denounced the exhibit as morally offensive.
Giuliani had been enraged over other pieces of controversial art, such as
Yo Mamas Last Supper, a 15-foot-tall photograph of a nude
African-American woman portraying Jesus surrounded by disciples.
In response, Giuliani appointed a 20-member decency commission
to review publicly funded art and determine the works moral content.
If the commission deemed an artwork offensive to any religious, racial or
ethnic group, the city could withdraw funding. Giuliani based his authority
to form the commission on an obscure section of the City Charter that allowed
him to appoint members of a cultural-affairs committee to review art subsidized
by the public.
Giuliani also cut off funding to the Brooklyn Museum of Art. However, a federal
court ruled that doing so violated the First Amendments guarantee of
free expression. Consequently, the court forced the city to restore the museums
funding and stop eviction proceedings against it.
In another instance of art-rage in 2001, artist Alma Lopez portrayed the Virgin
of Guadalupe in a floral bikini. The collage was displayed in a state-run
museum in Santa Fe, N.M. Santa Fe Archbishop Michael Sheehan, finding the
portrayal insulting, expressed frustration that Catholic images were being
singled out by artists. No one would dream of putting Martin Luther
King in Speedos and desecrating his memory by putting him in some outlandish
outfit ... . But somehow it seems open season on Catholic symbols.
Although efforts were made to banish Our Lady from the museum,
a state judge refused to order its removal.
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